Closing the Digital Curation Gap (CDCG)
An international collaboration to integrate best practice, research & development, and training in digital curation.
Many information practitioners, regardless of job title, are conducting digital curation activities now in a wide range of repositories and institutions. Examples of these activities include:
- creation of high-quality digital surrogates and originals selection and acquisition of existing digital assets
- creation of metadata for discovery, management, interoperability and preservation
- managing intellectual property
- managing other rights to access and use
- digital collections file format identification and management
- managing archival storage environments migration of content over time.
Often these are new tasks and processes for which institutions and current staff members have little training or experience. There is a need to identify specific tasks and develop clear and understandable guides to good practice for information professionals working in libraries, archives, museums and other information centres and repositories.
This project proposed to create such guides along with other tools to support the cultural heritage repository community, and especially staff in small- to medium-sized institutions in the US and UK, through researched, realistic, practical, and accessible guidance and advice.
The Closing the Digital Curation Gap (CDCG) collaboration served as a locus of interaction between those doing leading edge digital curation research, development, teaching, and training.
This occured in academic and practitioner communities with a professional interest in applying viable innovations within particular organizational contexts: - IMLS - JISC - the DCC, charged with disseminating such innovation and best practices - the SCA, charged to build a common information environment where users of publicly funded e-Content can realize best value by reducing the barriers that inhibit access, use and re-use of online content.
- Establish and support a network of digital curation practitioners, researchers, and educators through face-to-face meetings, web-based communication, and various other information and communication technology (ICT) tools;
- Establish a baseline of digital curation practice/knowledge, especially in small to medium-sized cultural heritage institutions in the US and UK, through surveys, interviews and case studies;
- Develop a schema for ongoing development of digital curation frameworks, guidance, and best practices, as well as the roles various organisations (IMLS; JISC; DCC; SCA; academia; and professional organizations) can play;
- Produce selected tools for the target communities such as guides to good practice, decision trees, and Digital Reference Manual chapters; Plan for future collaborative projects based on what we learn from this initial endeavour;
- Lay a foundation that will inform future training, education, and practice
- Home
- Digital Curation
- About Us
- News
- Events
- Resources
- Briefing Papers
- Introduction to Curation
- Annotation
- Appraisal and Selection
- Curating emails
- Curating e-science data
- Curating geospatial data
- Data accreditation
- Data Citation and Linking
- Data protection
- Database archiving
- Digital repositories
- Freedom of Information
- Genre classification
- Interoperability
- Persistent Identifiers
- Trust through self audit
- Using OAIS for curation
- Web 2.0
- What is digital curation?
- Legal Watch Papers
- Standards Watch Papers
- Technology Watch Papers
- Making the Case for RDM
- Introduction to Curation
- How-to Guides
- Curation Reference Manual
- Peer review
- Editorial board
- Completed chapters
- Appraisal and Selection
- Archival Metadata
- Archiving Web Resources
- Curating Emails
- File Formats
- Investment in an Intangible Asset
- Learning Object Metadata
- Metadata
- Ontologies
- Open Source for Digital Curation
- Preservation Metadata
- Preservation Strategies
- Principles for Enabling Access to Engineering Design Information Through Life
- Chapters in production
- Curation Lifecycle Model
- Policy and legal
- Data Management Plans
- Case studies
- Tools and applications
- Standards
- Publications
- External resources
- Roles
- Curation journals
- Informatics research
- Briefing Papers
- Training
- Projects
- Community
- Contact Us
Closing the Digital Curation Gap
Closing the Digital Curation Gap
Data curation is often carried out by information practitioners with little training or experience. The Closing the Digital Curation Gap (CDCG) collaboration united those at the cutting edge of digital curation research, development, teaching and training with the aim of creating good practice guides covering all aspects of data curation.
