Conservation

The Expanding Digital Universe: A Forecast of Worldwide Information Growth Through 2010

In this detailed white paper, IDC researches and analyses the impact of ever-increasing amounts of digital information generated worldwide.

PARADIGM Online Workbook

Between 2005 and 2007, the Paradigm project of the Bodleian Library and John Rylands University Library explored the issues involved in the long-term preservation of born-digital private papers in the context of hybrid archives - those that are composed of traditional and born-digital formats. The project accessioned sample archives from contemporary UK politicians and used these to gain practical experience of combining archival and digital curation worflows, standards, tools and technologies. An Online Workbook was created during the project and a print edition has recently been produced.

The Moving Image Gateway (MIG)

The Moving Image Gateway (MIG) is a new service that collects together websites that relate to moving images and sound and their use in higher and further education. The sites are classified by academic discipline, some forty subjects from Agriculture to Women's Studies, collected within the four main categories of Arts & Humanities, Bio-Medical, Social Sciences and Science & Technology. Each site has been evaluated and described by the BUFVC's Information Service, which regularly checks and updates the database. Sites are highlighted which have video or audio streaming.

Preservation Guide (for Audiovisual Media)

If you have audiovisual media, it needs maintenance - or you will lose it. This guide shows how to: conserve old formats digitise for transfer to new formats create digital file formats use digital restoration use mass storage provide electronic and web access Functionality:  Wiki Level of Expertise:  Introductory, but also has information of use to experienced professionals

RODA (Repositório de Objectos Digitais Autênticos)

The National Archive Institute of Portugal (IAN/TT) doesn't currently have the needed infrastructures to support the processes of ingestion and management of digital objects produced by the public administration (PA). The initiatives of the eGovernment establish the need to support its activity in information and communication technologies to improve the efficiency, productivity and quality of their public services. In this scenario it is clear that the number of digital objects produced by these institutions will grow, and that their legal value and authenticity should be assured.

PHOTHEREL (PHOTographic HERitage ELearning)

PHOTHEREL was a Socrates (Minerva) project, financed by the European Commission, through which four partners combined their experience: The Katholieke Universiteit Leuven (Belgium), the FotoMuseum Provincie Antwerpen (Belgium), the Service de la Formation Continue of the Universite Toulouse2-Le Mirail (France) and the Centre of Excellence for the Study of the Image (CESI) of the University of Bucharest (Romania). The project mainly aimed at developing a methodology for a "justified" digitization of photographic heritage.

IMAPpreserve

Independent Media Arts Preservation, Inc. (IMAP) is a non-profit service, education, and advocacy organization committed to the preservation of non-commercial electronic media. IMAP has grown from a New York-based consortium of arts organizations and individuals to a national resource for preservation training, information, and advocacy. IMAP's core constituents include institutions, organizations, and individuals whose diverse media collections are underserved by existing preservation efforts.

Safeguarding European Photographic Images for Access (SEPIA)

In 1999 the European Commission on Preservation and Access (ECPA) initiated a project aimed at the long-term preservation of all kind of photographic materials and defining the role of new technology in collection management. This resulted in Safeguarding European Photographic Images for Access (SEPIA). The project was set up explicitly to bring together representatives from different types of institutions that hold photographs: libraries, archives and museums, as well as from research institutes.

DIAMM (Digital Image Archive of Medieval Music)

The purpose of the Digital Image Archive of Medieval Music (DIAMM) is to obtain, archive and, where necessary, enhance digital images of European sources of medieval polyphonic music. These include a relatively small number of complete manuscripts, found throughout Britain and continental Europe which have been widely studied since their discovery by scholars at various times over the past century.

The DCC is funded by

Joint Information Systems Committee