Formats

Within the context of academia, a wide range of new and developing services, software and other technologies are being deployed, developed and adapted to engage and communicate with staff, students and new audiences. The software and technologies are diverse and are reshaping user engagement, the concept of "community" and experiences within the context of teaching, learning, research and administration.

Jean Gagnon is Executive Director, The Daniel Langlois Foundation for Art, Science, and Technology, Montreal. Since its founding, the Daniel Langlois Foundation for Art, Science, and Technology has considered the preservation of electronic and digital artworks a pressing matter. But it took some years before we received any project demonstrating a truly innovative approach to this issue. When the Solomon R.

If you have audiovisual media, it needs maintenance - or you will lose it. This guide shows how to:conserve old formatsdigitise for transfer to new formatscreate digital file formatsuse digital restorationuse mass storageprovide electronic and web access Functionality:  Wiki Level of Expertise:  Introductory, but also has information of use to experienced professionals

Independent Media Arts Preservation, Inc. (IMAP) is a non-profit service, education, and advocacy organization committed to the preservation of non-commercial electronic media. IMAP has grown from a New York-based consortium of arts organizations and individuals to a national resource for preservation training, information, and advocacy. IMAP's core constituents include institutions, organizations, and individuals whose diverse media collections are underserved by existing preservation efforts.

This project includes tools for use with BagIt [external PDF], a hierarchical file packaging format for the exchange of digital content jointly developed by the Library of Congress and the California Digital Library. The Library plans to release additional tools as part of a suite of solutions and software development resources as they are completed over time. There are already more tools in the pipeline. Functionality:  Three tools developed by the Library's Repository Development Group are available now.

The Moving Image Gateway (MIG) is a new service that collects together websites that relate to moving images and sound and their use in higher and further education. The sites are classified by academic discipline, some forty subjects from Agriculture to Women's Studies, collected within the four main categories of Arts & Humanities, Bio-Medical, Social Sciences and Science & Technology. Each site has been evaluated and described by the BUFVC's Information Service, which regularly checks and updates the database. Sites are highlighted which have video or audio streaming.

Chapter 6 of 'Developing Linguistic Corpora', in the series of Guides to Good Practice from the Arts and Humanities Data Service. This chapter focusses on planning for and creating a sustainable electronic resource. Functionality:  Online HTML book, unrestricted access. Level of Expertise:  This guide is for researchers who are creating or using electronic corpora, and for curators of language resources.

The Institut National de l'Audiovisuel is a public organisation with an industrial and commercial role that was set up through the reform of the audiovisual sector conducted in 1974 and implemented on 6 January 1975. INA has the following main missions: 1. Preservation of the national audiovisual heritage, by collecting audiovisual programmes, preserving and restoring the collections, offering up to date and efficient documentary services, and improving access to images and sounds within the Internet environment. 2.

Go-Geo! is an online resource discovery tool which allows for the identification and retrieval of records describing the content, quality, condition and other characteristics of geospatial data that exist with UK tertiary education and beyond. The portal supports geospatial searching by interactive map, grid co-ordinates and place name, as well as the more traditional topic or keyword forms of searching.

The National Archive Institute of Portugal (IAN/TT) doesn't currently have the needed infrastructures to support the processes of ingestion and management of digital objects produced by the public administration (PA). The initiatives of the eGovernment establish the need to support its activity in information and communication technologies to improve the efficiency, productivity and quality of their public services. In this scenario it is clear that the number of digital objects produced by these institutions will grow, and that their legal value and authenticity should be assured.

The National Archive Institute of Portugal (IAN/TT) doesn't currently have the needed infrastructures to support the processes of ingestion and management of digital objects produced by the public administration (PA). The initiatives of the eGovernment establish the need to support its activity in information and communication technologies to improve the efficiency, productivity and quality of their public services. In this scenario it is clear that the number of digital objects produced by these institutions will grow, and that their legal value and authenticity should be assured.

In 1999 the European Commission on Preservation and Access (ECPA) initiated a project aimed at the long-term preservation of all kind of photographic materials and defining the role of new technology in collection management. This resulted in Safeguarding European Photographic Images for Access (SEPIA). The project was set up explicitly to bring together representatives from different types of institutions that hold photographs: libraries, archives and museums, as well as from research institutes.

The National Archive Institute of Portugal (IAN/TT) doesn't currently have the needed infrastructures to support the processes of ingestion and management of digital objects produced by the public administration (PA). The initiatives of the eGovernment establish the need to support its activity in information and communication technologies to improve the efficiency, productivity and quality of their public services. In this scenario it is clear that the number of digital objects produced by these institutions will grow, and that their legal value and authenticity should be assured.